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Victor Tourjansky
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Victor Tourjansky | |
|---|---|
| Виктор Туржанский | |
| Born | Вячеслав Константинович Туржанский 4 March 1891 Kyiv, Russian Empire (now Ukraine) |
| Died | 13 August 1976 (aged 85) Munich, West Germany (now Germany) |
| Occupations | Film director, screenwriter, actor |
| Years active | 1913–1964 |
Victor Tourjansky (Russian: Виктор Туржанский 4 March 1891 – 13 August 1976), born Vyacheslav Konstantinovich Turzhansky (Russian: Вячеслав Константинович Туржанский), was a Russian actor, screenwriter and film director who emigrated after the Russian Revolution of 1917. He worked in France, Germany, Italy, and the United States.
Biography
Born into a family of artists in Kyiv, Tourjansky moved to Moscow in 1911, where he spent a year studying under Konstantin Stanislavski. He began his film career as an actor in 1912 and made his directorial debut in 1914, on the eve of World War I. After the October Revolution, Tourjansky continued working in Yalta with Ermolieff's company until the Red Army advanced into Crimea in late 1919.
When the Red Army advanced into Crimea, Tourjansky fled with the Ermolieff film company and its actors, leaving for France via Constantinople in February 1920. He was accompanied by his wife, the actress Nathalie Kovanko. On arriving in Paris, he changed his birth name Viatcheslav, to Victor, which was more easily pronounceable for the French. He was the assistant to Abel Gance for the filming of his Napoléon (1927). He later worked for Universum Film AG in Germany, where he arrived during the 1930s and directed twelve films, of which several were officially honored by the Nazis (City of Anatol, Secret Code LB 17, Faded Melody, Enemies , and Orient Express).
Tourjansky has been credited by some writers as being the director of the first ever film adaptation of Bram Stoker's novel Dracula, although it is disputed if the film, which is supposed to have been released in 1920, ever actually existed.[1]
Selected filmography
- Po trupam k schastyu (Russia, 1915)
- Zhenshchina vampir (Russia, 1915)
- Surogaty lyubvi (Russia, 1918)
- L'Ordonnance (France, 1921)
- Les Contes des mille et une nuits (France, 1921)
- Le Quinzième Prélude de Chopin (France, 1922)
- Nuit de carnaval (France, 1922)
- La Riposte (France, 1922)
- Calvaire d'amour (France, 1923)
- Le Chant de l'amour triomphant (France, 1923)
- That Scoundrel Morin (France, 1924)
- The Masked Woman (France, 1924)
- Prince Charming (France, 1925)
- Michel Strogoff (France, 1926)
- Tempest (director: Sam Taylor, US, 1928), uncredited
- The Adventurer (US, 1928)
- Volga Volga (Germany, 1928)
- Manolescu (Germany, 1929)
- The Eaglet (French-language film version, 1931)
- The Duke of Reichstadt (German-language film version, 1931)
- The Unknown Singer (France, 1931)
- Student's Hotel (France, 1932)
- The Orderly (France, 1933)
- Volga in Flames (France, 1934)
- Dark Eyes (France, 1935)
- The World's in Love (Austria, 1935)
- La Peur (France, 1936)
- City of Anatol (German-language film version, 1936)
- Wells in Flames (French-language film version, 1937)
- The Lie of Nina Petrovna (France, 1937)
- The Postmaster's Daughter (France, 1938)
- Faded Melody (Germany, 1938)
- Secret Code LB 17 (Germany, 1938)
- The Blue Fox (Germany, 1938)
- The Governor (Germany, 1939)
- A Woman Like You (Germany, 1939)
- Enemies (Germany, 1940, also screenplay)
- Die keusche Geliebte (Germany, 1940)
- Illusion (Germany, 1941, also screenplay)
- Liebesgeschichten (Germany, 1943)
- Tonelli (Germany, 1943, also screenplay)
- Orient Express (Germany, 1944)
- Dreimal Komödie (Germany, 1945–1949)
- The Blue Straw Hat (West Germany, 1949)
- Si te hubieses casado conmigo (Spain, 1950)
- The Man Who Wanted to Live Twice (West Germany, 1950)
- Chased by the Devil (West Germany, 1950)
- Mutter sein dagegen sehr! (West Germany, 1951)
- Marriage for One Night (West Germany, 1953)
- Salto Mortale (West Germany, 1953)
- Arlette Conquers Paris (West Germany, 1953)
- Daybreak (West Germany, 1954)
- Island of the Dead (West Germany, 1955)
- The Royal Waltz (West Germany, 1955)
- Beichtgeheimnis (West Germany, 1956)
- The Goddess of Love (co-director: Fernando Cerchio, Italy, 1957)
- Heart Without Mercy (West Germany, 1958)
- Herod the Great (co-director: Arnaldo Genoino, Italy, 1959)
- Prisoner of the Volga (co-director: Arnaldo Genoino, Italy, 1959)
- The Cossacks (co-director: Giorgio Rivalta, Italy, 1960)
- The Pharaohs' Woman (co-director: Giorgio Rivalta, Italy, 1960)
- The Triumph of Michael Strogoff (France, 1961)
- A Queen for Caesar (co-director: Piero Pierotti, Italy, 1962)
References
- ↑ Giesen, Rolf (2025). The Nosferatu Story The Seminal Horror Film, Its Predecessors and Its Enduring Legacy (2nd ed.). McFarland. p. 45. ISBN 9781476650487.
External links
- Victor Tourjansky at IMDb
- Christian Gilles, Le cinéma des années [trente, quarante, cinquante] par ceux qui l'ont fait, Paris : L'Harmattan, 2000. ISBN 978-2-7384-8951-7
