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Golem
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The Maharal of Prague and the Golem | |
| Creature information | |
|---|---|
| Other name | Gōlem (גּוֹלֶם) |
| Grouping | Monster |
| Folklore | Jewish folklore |
| Origin | |
| First attested | Talmud |
| Country | Kingdom of Bohemia |
| Region | Prague |
| Habitat | Typically resides in attics or temples |
| Details | Protector of the Jewish community, created from clay or mud, animated through mystical rituals. |
A golem (/ˈɡoʊ.ləm/ ⓘ GOH-ləm; Hebrew: גּוֹלֶם, romanized: gōlem) is an animated anthropomorphic being in Jewish folklore that is created entirely from inanimate matter, usually clay or mud. The most famous golem narrative involves Rabbi Judah Loew ben Bezalel, the late-16th-century rabbi of Prague. According to Moment magazine, "the golem is a highly mutable metaphor with seemingly limitless symbolism. It can be a victim or villain, man or woman—or sometimes both. Over the centuries, it has been used to connote war, community, isolation, hope, and despair."[1]
The Golem, in Jewish tradition, may be compared to the popular trope of the Frankenstein monster (19th century). Indeed, the Golem is even a precursor or inspiration of the Frankenstein monster in several phases of the folklore.[2] Whereas Mary Shelley's book, Frankenstein, was written in the 1810's, legends of the Golem go all the way back to 12th century in the tradition of Jewish Kabbalah[3]--if not further, back to the Talmud.[4]
In modern culture, the term denotes "any magically created human figure",[5] with such beings appearing frequently in tabletop role-playing games and video games.[6]
Etymology
The word golem occurs once in the Bible, in Psalm 139, which uses the word גׇּלְמִ֤י (golmi; 'my golem',[7] 'my light form', 'raw material'[8]) to connote the unfinished human being before God's eyes.[7] Pirkei Avot 5:9 uses the term to refer to someone who is unsophisticated: "[There are] seven things [characteristic] in a clod, and seven in a wise man" (שִׁבְעָה דְבָרִים בַּגֹּלֶם וְשִׁבְעָה בֶחָכָם).[9]
In Modern Hebrew, golem is used to mean 'dumb', 'helpless', or 'pupa'. Similarly, it is often used today as a metaphor for a stupid man or other entity that serves a man under controlled conditions, but is hostile to him in other circumstances.[1] Golem passed into Yiddish as goylem, meaning someone who is lethargic or in a stupor.[10]
History
Earliest stories
The oldest stories of golems date to early Judaism. In the Talmud (Tractate Sanhedrin 38b), Adam is initially created as a golem (גולם) when his dust is "kneaded into a shapeless husk".[11] Like Adam, all golems are created from mud by those close to divinity, but no anthropogenic golem is fully human. Early on, the main disability of the golem was its inability to speak. Sanhedrin 65b describes Rava creating a man (gavra), whom he then sends to Rav Zeira. Zeira speaks to the man, but he does not answer, whereupon Zeira says, "You were created by the sages; return to your dust".[a][12]
During the Middle Ages, passages from the Sefer Yetzirah were studied as a means to create and animate a golem, although little in the writings of Jewish mysticism supports this belief. The earliest known written account of how to create a golem can be found in the Sode Raza, a commentary on Merkabah mysticism by Eleazar of Worms, who lived in the late 12th and early 13th centuries.[13]
It was believed that golems could be activated by an ecstatic experience induced by the ritual use of various letters of the Hebrew alphabet[14] forming one of the names of God. This was written on a piece of paper and inserted into the mouth or forehead of the golem.[15]
In some tales, including certain stories of the Chełm and Prague golems, a word such as אמת emeṯ 'truth' is inscribed on the golem, sometimes on its forehead. In this example, the golem could then be deactivated by removing the aleph (א),[16] thus changing the inscription from "truth" to "death" (מֵת, mēt, 'dead').
One source credits Solomon ibn Gabirol, who lived in the 11th century, with creating a golem,[17] possibly female, for household chores.[18] A legend also existed claiming that Samuel of Speyer created a golem in the 12th century.[19]
In 1625, Joseph Solomon Delmedigo wrote that "many legends of this sort are current, particularly in Germany."[19]
Golem of Chełm
This article contains too many or overly lengthy quotations. (August 2026) |
The oldest description of the creation of a golem by a historical figure is included in a tradition connected to the Baal Shem (folk healer) named Elijah of Chełm (1550–1583).[14][7][19][20]
The Christian author Christoph Arnold in a letter written in 1674 reported the creation of a golem by Rabbi Eliyahu thusly:
Polish Jews say that there was a Jew in Poland named Rabbi Eliyahu Baal Shem who made a golem from lime for the purpose of being a servant and doing housework. It was animated by having the word emes (truth) written on its forehead. But it kept on growing and getting stronger. To stop this, the alef needed to be erased from the word emes, leaving the word meis (dead). And when the rabbi noticed that the servant had grown so large that he could no longer reach its forehead and erase the letter, he came up with the trick of commanding the golem to take off its boots, assuming that when the golem bent over, he could erase the letter from its forehead. And so it was, but when the golem returned and turned into clay, all its weight fell on the rabbi and crushed him.[21]
A similar account was reported by an unnamed Polish Kabbalist, writing in about 1730–1750,[22]
"}},"i":0}}]}' id="mw4A"/>And I have heard, in a certain and explicit way, from several respectable persons that one man [living] close to our time, whose name is R. Eliyahu, the master of the name, who made a creature out of matter [Heb. Golem] and form [Heb. tzurah] and it performed hard work for him, for a long period, and the name of emet was hanging upon his neck until he finally removed it for a certain reason, the name from his neck and it turned to dust.[14]
The Rabbi Jacob Emden elaborated on the story in his autobiography Megillas Sefer written in 1748:
שו\"ת שאילת יעב\"ץ, ח\"ב, [https://www.hebrewbooks.org/pdfpager.aspx?req=1408&pgnum=225 סי' פ\"ב] {{webarchive|url=https://web.archive.org/web/20130509025816/https://www.hebrewbooks.org/pdfpager.aspx?req=1408&pgnum=225 |date=2013-05-09 }}. Cf. his בירת מגדל עוז, Altona, 1748, p. 259a; מטפחת ספרים, Altona, 1768, [http://hebrewbooks.org/pdfpager.aspx?req=21115&st=&pgnum=90&hilite= p. 45a] {{webarchive|url=https://web.archive.org/web/20130509032718/http://hebrewbooks.org/pdfpager.aspx?req=21115&st=&pgnum=90&hilite= |date=2013-05-09 }}; and מגילת ספר, ed. Kahana, Warsaw, 1896, [https://www.hebrewbooks.org/pdfpager.aspx?req=37017&st=&pgnum=12&hilite= p. 4] {{webarchive|url=https://web.archive.org/web/20130509043404/https://www.hebrewbooks.org/pdfpager.aspx?req=37017&st=&pgnum=12&hilite= |date=2013-05-09 }}. See also שו\"ת חכם צבי, [https://www.hebrewbooks.org/pdfpager.aspx?req=19566&st=&pgnum=163 סי' צ\"ג] {{webarchive|url=https://web.archive.org/web/20130509043324/https://www.hebrewbooks.org/pdfpager.aspx?req=19566&st=&pgnum=163 |date=2013-05-09 }}, and the references cited in שו\"ת חכם צבי עם ליקוטי הערות, Jerusalem, 1998, vol. 1, p. 421 and in the periodical כפר חב\"ד, number 351 (1988), p. 51. Cited by Leiman, S.Z., [http://seforim.blogspot.com/2007/02/shnayer-z-leiman-did-disciple-of.html \"Did a Disciple of the Maharal Create a Golem?\"] {{webarchive|url=https://web.archive.org/web/20120111210431/http://seforim.blogspot.com/2007/02/shnayer-z-leiman-did-disciple-of.html |date=2012-01-11 }}</ref>"}},"i":0}}]}' id="mw6Q"/>As an aside, I'll mention here what I heard from my father's holy mouth regarding the Golem created by his ancestor, the Gaon R. Eliyahu Ba'al Shem of blessed memory. When the Gaon saw that the Golem was growing larger and larger, he feared that the Golem would destroy the universe. He then removed the Holy Name that was embedded on his forehead, thus causing him to disintegrate and return to dust. Nonetheless, while he was engaged in extracting the Holy Name from him, the Golem injured him, scarring him on the face.[23]
According to the Polish Kabbalist, "the legend was known to several persons, thus allowing us to speculate that the legend had indeed circulated for some time before it was committed to writing and, consequently, we may assume that its origins are to be traced to the generation immediately following the death of R. Eliyahu, if not earlier."[14]
Classic narrative: The Golem of Prague



The most famous golem narrative involves Judah Loew ben Bezalel, the late 16th-century rabbi of Prague, also known as the Maharal, who reportedly "created a golem out of clay from the banks of the Vltava River and brought it to life through rituals and Hebrew incantations to defend the Prague ghetto from antisemitic attacks and pogroms".[24][25] Depending on the version of the legend, the Jews in Prague were to be either expelled or killed under the rule of Rudolf II, the Holy Roman Emperor. The Golem was called Josef and was known as Yossele. He was said to be able to make himself invisible and summon spirits from the dead.[25] To animate the Golem, the Rabbi wrote the name of God on a slip of paper (called the shem); this was placed inside the Golem's head or mouth.[15] Rabbi Loew deactivated the Golem on Friday evenings by removing the shem before the Sabbath (Saturday) began,[15] so as to let it rest on Sabbath.[15]
One Friday evening, Rabbi Loew forgot to remove the shem, and feared that the Golem would desecrate the Sabbath.[15] A different story tells of a golem that fell in love, and when rejected, became the violent monster seen in most accounts. Some versions have the golem eventually going on a murderous rampage.[25] The rabbi then managed to pull the shem from his mouth and immobilize him[15] in front of the synagogue, whereupon the golem fell in pieces.[15] The Golem's body was stored in the attic genizah of the Old New Synagogue,[25] where it would be restored to life again if needed.[26]
Rabbi Loew then forbade anyone except his successors from going into the attic. Rabbi Yechezkel Landau, a successor of Rabbi Loew, reportedly wanted to go up the steps to the attic when he was Chief Rabbi of Prague to verify the tradition. Rabbi Landau fasted and immersed himself in a mikveh, wrapped himself in phylacteries and a prayer-shawl and started ascending the steps. At the top of the steps, he hesitated and then came immediately back down, trembling and frightened. He then reiterated Rabbi Loew's original warning.[27]
According to legend, the body of Rabbi Loew's Golem still lies in the synagogue's attic.[15][25] When the attic was renovated in 1883, no evidence of the Golem was found.[28] Some versions of the tale state that the Golem was stolen from the genizah and entombed in a graveyard in Prague's Žižkov district, where the Žižkov Television Tower now stands. A recent legend tells of a Nazi agent ascending to the synagogue attic, dying under suspicious circumstances thereafter.[29] The attic is not open to the general public.[30]
Some Orthodox Jews believe that the Maharal did actually create a golem. The evidence for this belief has been analyzed from an Orthodox Jewish perspective by Shnayer Z. Leiman.[31][32]
Sources of the Prague narrative
The general view of historians and critics is that the story of the Golem of Prague was a German literary invention of the early 19th century. According to John Neubauer,[33] the first writers on the Prague Golem were:
- 1837: Berthold Auerbach, Spinoza
- 1841: Gustav Philippson, Der Golam, eine Legende
- 1841: Franz Klutschak, Der Golam des Rabbi Löw
- 1842: Abraham Tendlau, Der Golem des Hoch-Rabbi-Löb[34]
- 1847: Georg Leopold Weisel, Der Golem
A few slightly earlier examples are known, in 1834[35][36] and 1836.[37]
All of these early accounts of the Golem of Prague are in German by Jewish writers. They are suggested to have emerged as part of a Jewish folklore movement parallel with the contemporary German folklore movement.[20]
The origins of the story have been obscured by attempts to exaggerate its age and to pretend that it dates from the time of the Maharal. Rabbi Yudel Rosenberg (1859–1935)[38] of Tarłów, before moving to Canada where he became one of its most prominent rabbis, is said to have originated the idea that the narrative dates from the time of the Maharal. Rosenberg published Nifl'os Maharal (Wonders of Maharal) (Piotrków, 1909),[38] which purported to be an eyewitness account by the Maharal's son-in-law, who had helped to create the Golem. Rabbi Meir Mazuz commented that Rosenberg was a forger and stories of the Maharal creating a Golem stem from Rosenberg's fabrication.[39]
Rosenberg claimed that the book was based upon a manuscript that he found in the main library in Metz. Wonders of Maharal "is generally recognized in academic circles to be a literary hoax".[14][32][40] Gershom Sholem observed that the manuscript "contains not ancient legends, but modern fiction".[41] Rosenberg's claim was further disseminated in Chayim Bloch's (1881–1973) The Golem: Legends of the Ghetto of Prague, English edition 1925.
The Jewish Encyclopedia of 1906 cites the historical work Zemach David by David Gans, a disciple of the Maharal, published in 1592.[15][42] In it, Gans writes of an audience between the Maharal and Rudolph II: "Our lord the emperor ... Rudolph ... sent for and called upon our master Rabbi Low ben Bezalel and received him with a welcome and merry expression, and spoke to him face to face, as one would to a friend. The nature and quality of their words are mysterious, sealed, and hidden."[43][better source needed]
But it has been said of this passage, "Even when [the Maharal is] eulogized, whether in David Gans' Zemach David or on his epitaph ..., not a word is said about the creation of a golem. No Hebrew work published in the 16th, 17th, and 18th centuries (even in Prague) is aware that the Maharal created a golem."[33] Furthermore, the Maharal himself did not refer to the Golem in his writings.[31] Rabbi Yedidiah Tiah Weil (1721–1805), a Prague resident, who described the creation of golems, including those created by Rabbis Avigdor Kara of Prague (died 1439) and Eliyahu of Chelm, did not mention the Maharal. Rabbi Meir Perils' biography of the Maharal[44] published in 1718 does not mention a golem.[20][31]
Golem of Vilna
A similar tradition relates to the Vilna Gaon, "the saintly genius from Vilnius" (1720–1797). Rabbi Chaim Volozhin (1749–1821) reported in an introduction to Sifra de Tzeniuta that he once presented to his teacher, the Vilna Gaon, ten different versions of a certain passage in the Sefer Yetzira and asked the Gaon to determine the correct text.[45] The Gaon immediately identified one version as the accurate rendition of the passage.[45]
The amazed student then commented to his teacher that, with such clarity, he should easily be able to create a live human. The Gaon affirmed Rabbi Chaim's assertion and said that he once began to create a person when he was a child, under the age of 13, but during the process, he received a sign from Heaven ordering him to desist because of his youth.[45]
Theme of hubris

The existence of a golem is sometimes a mixed blessing. Golems are not intelligent; if commanded to perform a task, they will perform the instructions literally. In many depictions, golems are inherently perfectly obedient. In its earliest known modern form, the Golem of Chełm became enormous and uncooperative. In one version of this story, the rabbi had to resort to trickery to deactivate it, whereupon it crumbled upon its creator and crushed him.[7]
A similar theme of hubris is seen in Frankenstein, The Sorcerer's Apprentice, and some other stories in popular culture. The theme manifests itself in R.U.R. (Rossum's Universal Robots), Karel Čapek's 1921 play that coined the term robot. The play was written in Prague, and while Čapek denied that he modeled the robot after the golem, many similarities are seen in the plot.[46]
Culture of the Czech Republic
The golem is a popular figure in the Czech Republic. The 1915 novel by Gustav Meyrink (The Golem) was briefly popular and did much to keep the imagination about the golem going. Several restaurants and other businesses have names that make reference to the creature. A Czech strongman, René Richter goes by the nickname "Golem",[25] and a Czech monster truck outfit calls itself the "Golem Team".[47]
Abraham Akkerman preceded his article on human automatism in the contemporary city with a short satirical poem on a pair of golems turning human.[48]
Clay Boy variation
A Yiddish and Slavic folktale is the Clay Boy, which combines elements of the golem and The Gingerbread Man, in which a lonely couple makes a child out of clay, with disastrous or comical consequences.[49]
In one common Russian version, an older couple, whose children have left home, make a boy out of clay and dry him by their hearth. The Clay Boy (Russian: Гли́няный па́рень, Glínyanyĭ párenʹ) comes to life; at first, the couple is delighted and treats him like a real child, but the Clay Boy does not stop growing and eats all their food, then all their livestock, and then the Clay Boy eats his parents. The Clay Boy rampages through the village until he is smashed by a quick-thinking goat.[50][51]
In popular culture

In modern popular culture, the word has become generalized, and any crude automaton devised by a sorcerer may be termed a "golem".[52] The term is often used to refer to "any magically created human figure" rather than specifically "a humanoid formed by Kabbalistic means".[5] Golems appear in the fantasy role-playing game Dungeons & Dragons (first published in 1974), and the influence of Dungeons & Dragons has led to the inclusion of golems in other tabletop role-playing games, as well as in video games.[6]
There are many varieties of golems in the game,[53] and Backstab reviewer Philippe Tessier called the creature a "classic of D&D".[54] The clay golem is based on the golem of Medieval Jewish folklore, though changed from "a cherished defender to an unthinking hulk".[55][56] The flesh golem is related to Frankenstein's monster as Universal's 1931 film, with traits such as being empowered by electricity,[57] though again with the difference of being essentially an unthinking machine in the game.[58] D&D's golems are also rooted in Gothic fiction more generally, and are typical denizens of the Ravenloft setting.[59]
Jon Garrad, in the book Mary Shelley's Frankenstein, 1818–2018 (2020), criticized the original flesh golem in Advanced Dungeons and Dragons (AD&D) as "superficial" and "simplified" compared to its Frankenstein (1818) inspiration.[60] However, Garrad argued that the 1990 Ravenloft iteration "partially rehabilitates the Frankenstein Creature", noting "Adam Mordenheim represents a step up from the Karloffian imitation in standard AD&D, back towards the pursuing threat of the novel, but this detail and depth is not grounded in any context or interaction".[60] The flesh golem was ranked ninth among the ten best mid-level monsters by the authors of Dungeons & Dragons For Dummies for both 3rd[58] and 4th edition.[61]
See also
Notes
- ↑ Jewish Babylonian Aramaic: מן חבריא את הדר לעפריך
References
- 1 2 Cooper, Marilyn. Jewish Word | Golem". Archived 25 August 2017 at the Wayback Machine Moment. 17 July 2017. 24 August 2017.
- ↑ Rosen, Sarah (28 October 2021). "How 'The Golem' Inspired 'Frankenstein'". Hey Alma. Retrieved 14 August 2026.
- ↑ Joshua Trachtenberg. Jewish Magic & Superstition. 1939. p. 85
- ↑ Scholem, Gershom (1 January 1966). "The Golem of Prague & The Golem of Rehovoth". Commentary Magazine. Retrieved 14 August 2026.
- 1 2 Sherman, Fraser (2022). "Destroyer, Defender, AI, Lover: The Golem in Speculative Fiction Prose and Comics". In Frankel, Valerie Estelle (ed.). Jews in Popular Science Fiction: Marginalized in the Mainstream. Lexington Books. p. 23. ISBN 9781666901450.
- 1 2 "How Dungeon & Dragons shaped the modern videogame". PC Gamer. 8 February 2007. Retrieved 3 April 2007.
- 1 2 3 4 Introduction to "The Golem Returns" Archived 12 October 2012 at the Wayback Machine. Retrieved 23 September 2011.
- ↑ J. Simpson; E. Weiner, eds. (1989). "golem". Oxford English Dictionary (2nd ed.). Oxford: Clarendon Press. ISBN 0-19-861186-2.
- ↑ "Pirkei Avot 5:7". www.sefaria.org.
- ↑ Bluestein, Gene (1998). Anglish/Yinglish: Yiddish in American Life and Literature. U of Nebraska Press. ISBN 0803219148. Archived from the original on 3 February 2021. Retrieved 17 October 2020.
- ↑ "Sanhedrin 38b". sefaria.org. Retrieved 15 November 2024.
- ↑ "Sanhedrin 65b". Sefaria. Retrieved 15 November 2024.
- ↑ Kressel, Matthew (1 October 2015). "36 Days of Judaic Myth: Day 24, The Golem of Prague". Matthew Kressel. Archived from the original on 2 August 2018. Retrieved 2 August 2018.
- 1 2 3 4 5 Idel, Moshe (1990). Golem: Jewish Magical and Mystical Traditions on the Artificial Anthropoid. Albany, New York: State University of New York Press. ISBN 0-7914-0160-X. page 296
- 1 2 3 4 5 6 7 8 9 GOLEM Archived 25 January 2022 at the Wayback Machine. Jewish Encyclopedia. Retrieved on 23 September 2011.
- ↑ Kerstein, Benjamin. Jewish Ideas Daily. 14 September 2010. 24 August 2017.
- ↑ Bokser, Ben Zion (2006). </ref From the World of the Cabbalah. Kessinger. p. 57.
- ↑ Singer, Isidore; et al., eds. (1901–1906). "Ibn Gabirol, Solomon ben Judah". The Jewish Encyclopedia. New York: Funk & Wagnalls.
- 1 2 3 Trachtenberg, Joshua (2004) [Originally published 1939]. Jewish Magic and Superstition. Philadelphia: University of Pennsylvania Press. p. 85. ISBN 9780812218626.
- 1 2 3 Gelbin, Cathy S. (2011). The Golem Returns: From German Romantic Literature to Global Jewish Culture, 1808-2008. University of Michigan Press. p. 85. ISBN 978-0-472-11759-8. Archived from the original on 14 June 2016.
- ↑ Scholem, Gershom (1996). "The Idea of the Golem". On the Kabbalah and its Symbolism. Knopf Doubleday. pp. 200–201. ISBN 978-0-8052-1051-4.
- ↑ Scarr, Cindy (27 February 2024). "The Original Golem - Mishpacha Magazine".
- ↑ שו"ת שאילת יעב"ץ, ח"ב, סי' פ"ב Archived 2013-05-09 at the Wayback Machine. Cf. his בירת מגדל עוז, Altona, 1748, p. 259a; מטפחת ספרים, Altona, 1768, p. 45a Archived 2013-05-09 at the Wayback Machine; and מגילת ספר, ed. Kahana, Warsaw, 1896, p. 4 Archived 2013-05-09 at the Wayback Machine. See also שו"ת חכם צבי, סי' צ"ג Archived 2013-05-09 at the Wayback Machine, and the references cited in שו"ת חכם צבי עם ליקוטי הערות, Jerusalem, 1998, vol. 1, p. 421 and in the periodical כפר חב"ד, number 351 (1988), p. 51. Cited by Leiman, S.Z., "Did a Disciple of the Maharal Create a Golem?" Archived 2012-01-11 at the Wayback Machine
- ↑ Green, Kayla. "The Golem in the Attic". Archived 25 August 2017 at the Wayback Machine Moment. 1 February 2011. 25 August 2017.
- 1 2 3 4 5 6 Bilefsky, Dan (10 May 2009). "Hard Times Give New Life to Prague's Golem". The New York Times. Archived from the original on 9 May 2013. Retrieved 19 March 2013.
- ↑ "The Golem Legend". applet-magic.com. Archived from the original on 2 January 2013.
- ↑ Winkler, Gershon (1980). The Golem of Prague. New York: Judaica Press. pp. 60–63. ISBN 0-910818-24-X.
- ↑ Mysteries of the Unknown: Inside the World of the Strange and Unexplained. Time-Life. 16 September 2014. ISBN 978-1618933522.
- ↑ Lee-Parritz, Oren. "The Golem Lives On". jewishpost.com. Archived from the original on 1 September 2010. Retrieved 12 January 2011.
- ↑ Old New Synagogue located in Praha, Czech Republic|Atlas Obscura|Curious and Wondrous Travel Destinations Archived 29 August 2011 at Wikiwix. Atlas Obscura. Retrieved on 23 September 2011.
- 1 2 3 Leiman, S. Z., The Golem of Prague in Recent Rabbinic Literature Archived 24 September 2011 at the Wayback Machine
- 1 2 Leiman, S.Z., " The Adventure of the Maharal of Prague in London: R. Yudl Rosenberg and The Golem of Prague", Archived 17 September 2017 at the Wayback Machine Tradition, 36:1, 2002
- 1 2 Neubauer, J., "How did the Golem get to Prague?" Archived 14 June 2016 at the Wayback Machine, in Cornis-Pope, M., and Neubauer, J. History of The Literary Cultures of East-Central Europe, John Benjamins, 2010, see also: Dekel E., Gurley D.E., "How Did Golem \came to Prague", JQR, Vol. 103, No. 2 (Spring 2013), pp. 241–258 Archived 9 August 2017 at the Wayback Machine
- ↑ Tendlau, Abraham M. (1842). Das Buch der Sagen und Legenden jüdischer Vorzeit (in German). Stuttgart: J.F. Cast'sche Buchhandlung. pp. 16–18.
- ↑ Glasenapp, Gabriele von (2 June 2009). Haug, Christine; Mayer, Franziska; Podewski, Madleen (eds.). Populäres Judentum: Medien, Debatten, Lesestoffe (in German). Walter de Gruyter. p. 31. ISBN 9783484971042. Archived from the original on 3 February 2021. Retrieved 16 September 2018.
- ↑ "Der jüdische Gil Blas" (in German). Archived from the original on 27 September 2015. Retrieved 16 September 2018.
der Golam... des Rabbi Liwa, vom Volke der hohe Rabbi Löw genannt
- ↑ Frankl, L. A. (1836). Kaltenbaeck, Johann Paul (ed.). Oesterreichische Zeitschrift für Geschichts- und Staatskunde (in German). Beck. p. 368. Archived from the original on 16 September 2018. Retrieved 16 September 2018.
- 1 2 Kieval, Hillel J. "Golem Legend". Archived 25 August 2017 at the Wayback Machine The YIVO Encyclopedia. 24 August 2017.
- ↑ MiGedolei Yisrael (Hebrew: מגדולי ישראל) volume 1, p. ה (Hebrew pagination) footnote 1.
- ↑ Sherwin, Byron L. (1985) The Golem Legend: Origins and Implications. New York: University Press of America
- ↑ Sholem, G., Major Trends in Jewish Mysticism, Schocken, 1961
- ↑ HUNGARIAN STUDIES 2. No. 2. Nemzetközi Magyar Filológiai Társaság. Akadémiai Kiadó Budapest [1986] Archived 10 May 2013 at the Wayback Machine. (PDF). Retrieved on 23 September 2011.
- ↑ Gans, D., Zemach David, ed. M.Breuer, Jerusalem, 1983, p.145, cited Rabbi Yehudah Yudel Rosenberg and the Maharal's Golem Archived 23 September 2009 at the Wayback Machine
- ↑ Meir Perels (1718). Megilas Yuchsin. Prague. OCLC 122864700.
- 1 2 3 Chaim of Volozhin. "Sifra de Tzeniuta, Introduction". Archived 4 February 2021 at the Wayback Machine The Kabbalistic Tradition: An Anthology of Jewish Mysticism, edited by Alan Unterman. Google Books. 24 August 2017.
- ↑ Koreis, Voyen. Introduction. "Two Plays by Karel Capek: R.U.R. (Rossum's Universal Robots) & The Robber". Archived 4 February 2021 at the Wayback Machine Google Books. 25 August 2017.
- ↑ B, Veronika (25 January 2020). "VIDEO: René Richter, the Czech Man With the Strongest Jaws in the World". Prague Morning. Archived from the original on 26 November 2020. Retrieved 29 May 2020.
- ↑ Akkerman, Abraham (2003–2004). "Philosophical Urbanism and Deconstruction in City-Form: An Environmental Ethos for the Twenty-First Century". The Structurist. No. 43/44. pp. 48–61. Archived from the original on 4 September 2017. Retrieved 18 August 2017. Published also as Paper CTS-04-06 by the Center for Theoretical Study, Prague.
- ↑ Cronan, Mary W. (1917). "Lutoschenka". The Story Teller's Magazine. Vol. 5, no. 1. pp. 7–9.
- ↑ Ginsburg, Mirra (1997). Clay Boy. New York: Greenwillow. ISBN 9780688144098.
- ↑ "Русская народная сказка «Глиняный парень»". hyaenidae.narod.ru.
- ↑ "Definition of GOLEM". www.merriam-webster.com. Retrieved 17 October 2025.
- ↑ Doug Stewart, ed. (June 1993). Monstrous Manual. TSR, Inc. ISBN 1-5607-6619-0.
- ↑ Tessier, Philippe (November 2000). "Baldur's Gate II". Review. Backstab (in French). No. 24. pp. 90–91.
- ↑ Silver, Eric (28 January 2021). "Dungeons & Dragons Has an Antisemitism Problem". Alma. Retrieved 1 September 2022.
- ↑ DeVarque, Aardy. "Literary Sources of D&D". Retrieved 12 December 2019.
- ↑ Forest, Richard W. (2014). "Dungeons & Dragons, Monsters in". In Weinstock, Jeffrey (ed.). The Ashgate Encyclopedia of Literary and Cinematic Monsters. Ashgate Publishing.
- 1 2 Slavicsek, Bill; Baker, Rich; Grubb, Jeff (2006). Dungeons & Dragons For Dummies. For Dummies. p. 373. ISBN 978-0-7645-8459-6.
- ↑ Rangel Jiménez, Mauricio (2021). Lanzando los dados: aproximaciones académicas a los juegos de rol (in Spanish). Universidad Iberoamericana. ISBN 978-607-417-763-3.
- 1 2 Garrad, Jon (2020). "Chapter Nineteen: Monster, Creature, Nameless, Created: Frankenstein Transformed in Role Playing Games". In Parrino, Maria; Scarsella, Alessandro; Vanon Alliata, Michela (eds.). Mary Shelley's Frankenstein, 1818–2018. Newcastle upon Tyne, UK: Cambridge Scholars Publishing. pp. 231–241. ISBN 978-1-5275-5400-9.
- ↑ Slavicsek, Bill; Baker, Rich; Mearls, Mike (January 2009). "31: The Ten Best Mid-Level Monsters". Dungeons and Dragons 4th Edition For Dummies. John Wiley & Sons.
Further reading
- Baer, Elizabeth R. (2012). The Golem Redux: From Prague to Post-Holocaust Fiction. Detroit, MI: Wayne State University. ISBN 978-0814336267.
- Bilski, Emily B. (1988). Golem! Danger, Deliverance and Art. New York: The Jewish Museum. ISBN 978-0873340496.
- Bloch, Chayim (1987). The Golem: Mystical Tales of the Ghetto of Prague. Translated by Schneiderman, H. New York: Rudolf Steiner Publications. ISBN 0833400258. English translation from German. First published in Oestereschischen Wochenschrift 1917.
- Bokser, Ben Zion (2006). From the World of the Cabbalah. New York: Kessinger. ISBN 9781428620858.
- Chihaia, Matei (2011). Der Golem-Effekt. Orientierung und phantastische Immersion im Zeitalter des Kinos. Bielefeld: transcript. ISBN 978-3-8376-1714-6.
- Dennis, Geoffrey (2007). The Encyclopedia of Jewish Myth, Magic, and Mysticism. Woodbury, MN: Llewellyn Worldwide. ISBN 978-0-7387-0905-5.
- Eichhorst, Dana (2023/24). "A New Reading of “Golem” Based on Elʿazar of Worms Sode Razayya". Frankfurter Judaistische Beiträge. 45. 75-96. ISSN 0342-0078.
- Faucheux, Michel (2008). Norbert Wiener, le golem et la cybernétique. Paris: Editions du Sandre.
- Goldsmith, Arnold L. (1981). The Golem Remembered 1909–1980: Variations of a Jewish Legend. Detroit: Wayne State University Press. ISBN 0814316832.
- Idel, Mosche (1990). Golem: Jewish Magical and Mystical Traditions on the Artificial Anthropoid. Albany, NY: State University of New York Press. ISBN 0-7914-0160-X.
- Montiel, Luis (30 June 2013). "Proles sine matre creata: The Promethean Urge in the History of the Human Body in the West". Asclepio. 65 (1): 001. doi:10.3989/asclepio.2013.01.
- Rosenberg, Yudl (2008). The Golem and the Wondrous deeds of the Maharal of Prague. Translated by Leviant, Curt. Yale University Press. ISBN 978-0-300-12204-6. First English translation of original in Hebrew, Pietrkow, Poland, 1909.
- Salfellner, Harald (2016). The Prague Golem: Jewish Stories of the Ghetto. Prague: Vitalis. ISBN 978-80-7253-188-2.
- Tomek, V.V. (1932). Pražské židovské pověsti a legendy. Prague: Končel. Translated (2008) as Jewish Stories of Prague: Jewish Prague in History and Legend. ISBN 1-4382-3005-2.
- Winkler, Gershon (1980). The Golem of Prague: A New Adaptation of the Documented Stories of the Golem of Prague. New York: Judaica Press. ISBN 0-910818-25-8.

