Against Interpretation is a 1966 collection of essays by Susan Sontag. It includes some of Sontag's best-known works, including "Notes on 'Camp'", "On Style" and the eponymous essay "Against Interpretation." In the latter, Sontag argues that the new approach to criticism and aesthetics neglects the sensuous impact and novelty of art, instead fitting works into predetermined intellectual interpretations and emphasis on the "content" or "meaning" of a work. The book was a finalist for the Arts and Letters category of the National Book Award.